

Wampís of Guayabal & Aboutface - Los Bosquesinos (People of the Forests)
Update 2025:The gatefold bio vinyl has been manufactured, presales 02/04/2025. For updates, and early access to presales, please subscribe to my mailing list here
Release date 06/06/24
Purchase link
An intercultural collaboration with the indigenous Wampís forest community in Peru: exploring the evocative aural terrain of the
Rainforest and the traditional nampet songs of the Wampís.
Gatefold carbon-neutral bio-vinyl manufactured by Deepgrooves.
Distributed by Rubadub Worldwide.
100% of sales from this release will support the Wampís to protect their precious rainforest territory.
During a month living with the Wampís in the Amazon Rainforest, Aboutface and the Wampis community collaboratively identified and captured field-recordings, along with Wampis traditional Nampet songs – ancient songs sung from the perspective of animals living in rainforest.
These recordings then informed 4 improvised performances to articulate the story of 4 traditional Nampet songs, sung from the perspective of each animal:
1. Kutuir (Parrott)
2. Wancha (Fish)
3. Manchi (Locust)
4. Pinchichi (Hawk)
Release date: 2nd Aug 2024
This album has been funded by Help Musicians. advised by Shapiom Noningo Sesen – Wampís leader and advisor to the Gobierno Territorial Autónomo de la Nación Wampís (GTANW), and supported by charities Size of Wales & Forest Peoples Programme.
All project partners have kindly provided their services with substantial subsidy to contribute to the project and ensure this release is financially accessible and effective in its fundraising aims. The Wampís community and I are incredibly grateful for this. A massive thanks to: Vincent Morris, your contribution as always is invaluble. Help Musicians, Dubplates & Mastering and Deepgrooves, your vital contributions made this release achievable, Carlos ‘Canti’ Saldana. Freerotation Festival and NTS Radio. Ruy & Dubplates & Mastering team. Deepgrooves. Aimee Lawrence (PR) for your patience and help. Anna at Size of Wales, without you this project would not have been possible. Finally, Shapiom Noningo Sesen, thank you for you patience, guidance and trust in my vision– may Aratum continue to guide me. Yuminsuajme.
Credits
Nampet songs:
Kutir, Wancha and Pinchichi by Elizabeth Huampankit Najamtai.
Manchi by Fernando Ijisam Tsakim.
Acoustic Percussion by Wampís band Guayabita:
Fernando Ijisam Tsakim, Edilberto Ijisam Tello, Larry Tello Huampankit, Jose Luis Cahuata Pipa, Tedy Tello Cahuata, Heyner Tello Cahuata, Eli Artista Antonio, Never Tello Huampankit
Violin by Taro. Peruvian bamboo quena, classical flute, acoustic guitar, electronics, composition and arrangement by Aboutface.
Original portrait painting of Fernando Ijisam
Tsakim by Nyran Loomcal.
All other artworks, analogue photography and design by Aboutface.
Rainforest field-recordings identified and collected by The Wampís of Guayabal and Aboutface.




Context
Indigenous-managed Amazonian rainforests sequester around 340 million tonnes of CO₂ each year—equivalent to the UK’s annual fossil fuel emissions. In stark contrast, non-Indigenous-controlled forests have become sources of carbon emissions (Veit, Gibbs & Reytar, 2023). Among the vital custodians of these precious ecosystems are the Wampís people, managing 1.3 million hectares of autonomous Amazonian territory, which faces ongoing deforestation and habitat destruction driven by illegal mining (Balzani Lööv & Da Silva, 2017).
These destructive actions constitute Ecocide—deliberate or negligent human acts that severely harm essential ecosystems vital to global biological health. Ecocide threatens the cultural heritage, livelihoods, and biodiversity of the Wampís Nation, which is inherently linked to the stability of Earth’s climate and global ecological balance (Rodríguez & Vega, 2022; Brienen et al., 2015).
Historically, the Amazon rainforest has functioned as a global carbon sink (Hubau et al., 2020). However, intensified deforestation, particularly from illegal gold mining since, has forced areas like Southeast Amazonia to emit more carbon than they capture, exacerbating climate crises (Gatti et al., 2021). The devastating practice of illegal gold mining is currently decimating Wampís territory, destroying their fluvial habitats, leaving toxic methylmercury pollution that strips all biodiversity, contaminates the food chain, and causes widespread harm—including neurological damage and birth defects (Larrea Burneo, 2023). In 2024, Illegal mining in Wampis territory has now escalated in severity to unprecedented levels, bringing not only ecological destruction but increasing violence by the mafias coordinating the mining.
100% of sales revenues from this release will go directly to fund Wampís-led eco-initiatives to preserve their rainforest territory. The funding will also support eco-cultural initiatives that help preserve Wampís cultural heritage– embedded in their songs, crafts, and traditional knowledge– such as their Sharian leadership school. Unlike state-provided education, this school teaches Wampís eco-cultural identity and Indigenous knowledge to best equip young Wampís as future stewards of their rainforest territory. Fund distribution will be determined by a panel of Wampís leaders, led by Shapiom Noningo Sesen.
In 2025, a new collaborative research project between Aboutface and the Wampís community—funded by SEDarc—was launched to combat Ecocide by co-creating an evocative “Ecomusical Cartography” of The Iña Wampisti Nunke. This is their layered, multi-dimensional territory, containing human and non-human natural systems that unfold concurrently in an environmental entanglement of space-time (Layne, 2014: p.63–65): the past, the present, the future, transformation, and reemergence as an interactive manifold shaping ecology across all eco-connective planes. Embedded within the territory’s abiotic systems, such as rivers (Entsa), soil/the earth (Nunka), and atmosphere (Nayaim) (Wampís Statute, 2015, p.14), are spiritual entities that symbiotically reside in these ecological systems as self-aware non-human actors inherent to collective ecological wellbeing (Niederberger, 2022; Wampís Statute, 2015).
This co-research project places the Wampís at the heart of all stages of the research and co-creative process, from a position of stewardship, adhering to holistic, non-extractive co-research principles to ensure the methods of data (including sounds) collection are not just another form of colonial mining practice, and apply epistemically plural, co-creative approaches that surface Wampís unique ontologies, alongside co-paraecology– simple and sustainable methods of eco-analyses such as determining mercury levels from illegal mining in Wampís rivers. This cartography aims to illuminate the dynamic interplay between human and non-human actors, such as plants, animals and spirits, within their eco-connective, multi-dimensional territory, to contribute to a nascent extension of human rights to non-humans, as actors with the same rights to survive, recover and prosper as a person would, not to be constituted as property to be obtained, extracted, extorted and exhausted.
The main aim of this project is to support the Wampís in achieving Tarimat Pujut in The Iña Wampisti Nunke—a state of profound ecological harmony between humans, animals, plants, and spirits. This has a direct impact on our global ecological well-being and our escalating climate emergency.


